Filters

The experience will be determinant in creating a personal and exclusive language. A new tool to realize true creativity for the professional photographer and for the artistic and research photography.

KODAK Wratten Gelatin Filters

Resin Filters

Because of the light weight and portability, resin filters are a great choice for photographers

ND 0.3 Resin soft grad filter 75x120 

ND grad filters are part clear, part neutral density (available in grades of .3 (1 stop), .6 (2 stops), .9 (3 stops)). They allow the transition to be blended into the scene, often imperceptibly. A neutral density .6-to-clear, with a two stop differential, will generally compensate the average bright sky-to-foreground situation and is also the most popular density of the series.
code T3000

ND 0.6 Resin soft grad filter 75x120 

ND grad filters are part clear, part neutral density (available in grades of .3 (1 stop), .6 (2 stops), .9 (3 stops)). They allow the transition to be blended into the scene, often imperceptibly. A neutral density .6-to-clear, with a two stop differential, will generally compensate the average bright sky-to-foreground situation and is also the most popular density of the series.
code T3002

ND 0.9 Resin soft grad filter 75x120 

ND grad filters are part clear, part neutral density (available in grades of .3 (1 stop), .6 (2 stops), .9 (3 stops)). They allow the transition to be blended into the scene, often imperceptibly. A neutral density .6-to-clear, with a two stop differential, will generally compensate the average bright sky-to-foreground situation and is also the most popular density of the series.
code T3004

ND 0.3 Resin soft grad filter 100x150 

ND grad filters are part clear, part neutral density (available in grades of .3 (1 stop), .6 (2 stops), .9 (3 stops)). They allow the transition to be blended into the scene, often imperceptibly. A neutral density .6-to-clear, with a two stop differential, will generally compensate the average bright sky-to-foreground situation and is also the most popular density of the series.
code T3018

ND 0.6 Resin soft grad filter 100x150  

ND grad filters are part clear, part neutral density (available in grades of .3 (1 stop), .6 (2 stops), .9 (3 stops)). They allow the transition to be blended into the scene, often imperceptibly. A neutral density .6-to-clear, with a two stop differential, will generally compensate the average bright sky-to-foreground situation and is also the most popular density of the series.
code T3020

ND 0.9 Resin soft grad filter 100x150  

ND grad filters are part clear, part neutral density (available in grades of .3 (1 stop), .6 (2 stops), .9 (3 stops)). They allow the transition to be blended into the scene, often imperceptibly. A neutral density .6-to-clear, with a two stop differential, will generally compensate the average bright sky-to-foreground situation and is also the most popular density of the series.
code T3022

Glass Filters

In paste dye Optical glass

Glass Filter ND 10 stops 100x100

The 10STOPPER TALOS filter is a neutral density filter commonly used in photography to produce effects of controlled blur. The leading feature of this type of filters is that of increasing the time of exposure of 10 stops.
- In paste Neutral density Optical glass.
- Constant response in the electromagnetic scale in the visible area.
- Colour-Shifting and contrast for the effect of the lengthening of the exposure is extremely moderate.
- The 10STOPPER filter must be mounted in the first slot close to the lens, the filterholder must be free of light leaks, like the Talos Filterholder, the filter is inserted after having completed the framing and after having placed other eventual filters in the front slots.

Code 3060

Glass Filter ND 10 stops 75x75

The 10STOPPER TALOS filter is a neutral density filter commonly used in photography to produce effects of controlled blur. The leading feature of this type of filters is that of increasing the time of exposure of 10 stops.
- In paste Neutral density Optical glass.
- Constant response in the electromagnetic scale in the visible area.
- Colour-Shifting and contrast for the effect of the lengthening of the exposure is extremely moderate.
- The 10STOPPER filter must be mounted in the first slot close to the lens, the filterholder must be free of light leaks, like the Talos Filterholder, the filter is inserted after having completed the framing and after having placed other eventual filters in the front slots.

Code T3059

Linear Polarizer 100x100 Glass

Made in optical glass, the Linear Polarizer filter is a must-have accessory in the photographer’s bag.
Its use reduces reflections ( on water, glass, etc.) and adds saturation to colours (sky, foliage, flowers, etc.) which are determinant for your creativity and the good result of your images. Light absortion 1,2 stop.

Code 3082

Linear Polarizer  75x75 Glass

Made in optical glass, the Linear Polarizer filter is a must-have accessory in the photographer’s bag.
Its use reduces reflections ( on water, glass, etc.) and adds saturation to colours (sky, foliage, flowers, etc.) which are determinant for your creativity and the good result of your images. Light absortion 1,2 stop.

Code T3080

Polyester Filters

Silvestri Polyester filters are a good, low cost alternative to resin filters. They are only 0.1mm thick and the optical quality is very high.

Polariser Filters

Helping to reduce reflections and glare

Linear Polariser 75x75mm 

Linear Polarizer filter in polyester, Polarizing efficiency: 99.99%, Wavelength: 380~700nm, protective film on both sides. Helping to reduce reflections and glare, the Silvestri Talos Linear Polarizer Filter filters out light that has become polarized due to reflection from a non-metallic surface. By filtering this light, a noticeable increase in the saturation of skies and foliage is possible, as well as the ability to produce clearer imagery when photographing in hazy conditions. A linear polarizer differs from a circular polarizer in that it does not support the use of a camera's autofocus or auto exposure functions; it is best suited for use with manual cameras, such as view cameras, that are not dependent on internal mechanisms to determine focus or metering settings.
code PO-75

Linear Polariser 100x100mm

Linear Polarizer filter in polyester, Polarizing efficiency: 99.99%, Wavelength: 380~700nm, protective film on both sides. Helping to reduce reflections and glare, the Silvestri Talos Linear Polarizer Filter filters out light that has become polarized due to reflection from a non-metallic surface. By filtering this light, a noticeable increase in the saturation of skies and foliage is possible, as well as the ability to produce clearer imagery when photographing in hazy conditions. A linear polarizer differs from a circular polarizer in that it does not support the use of a camera's autofocus or auto exposure functions; it is best suited for use with manual cameras, such as view cameras, that are not dependent on internal mechanisms to determine focus or metering settings.
code PO-100

UV Cut Linear Polarizer 100x100mm

Linear Polarizer filter in polyester, Polarizing efficiency: 99.99%, Wavelength: 380~700nm, protective film on both sides. Helping to reduce reflections and glare, the Silvestri Talos Linear Polarizer Filter filters out light that has become polarized due to reflection from a non-metallic surface. By filtering this light, a noticeable increase in the saturation of skies and foliage is possible, as well as the ability to produce clearer imagery when photographing in hazy conditions. A linear polarizer differs from a circular polarizer in that it does not support the use of a camera's autofocus or auto exposure functions; it is best suited for use with manual cameras, such as view cameras, that are not dependent on internal mechanisms to determine focus or metering settings.
code PO-11

Circular Polarizer right 100x100mm

Circular Polarizer filter in polyester, Polarizing efficiency: 99.99%, Wavelength: 380~700nm, protective film on both sides. Helping to reduce reflections and glare, the Silvestri Circular Polarizer Filter filters out light that has become polarized due to reflection from a non-metallic surface. By filtering this light, a noticeable increase in the saturation of skies and foliage is possible, as well as the ability to produce clearer imagery when photographing in hazy conditions. A Circular polarizer supports the use of a camera's autofocus or auto exposure functions.
code PO-02





Linear Polarizer A4 21x29,7

Linear Polariser filter in polyester, Polarizing efficiency: 99.99%, Wavelength: 380~700nm, protective film on both sides. Helping to reduce reflections and glare, the Silvestri Talos Linear Polarizer Filter filters out light that has become polarized due to reflection from a non-metallic surface. By filtering this light, a noticeable increase in the saturation of skies and foliage is possible, as well as the ability to produce clearer imagery when photographing in hazy conditions. A linear polariser differs from a circular polarizer in that it does not support the use of a camera's autofocus or auto exposure functions; it is best suited for use with manual cameras, such as view cameras, that are not dependent on internal mechanisms to determine focus or metering settings.
code PO-A4

Linear Polarizer 62x100cm

Linear Polariser filter in polyester, Polarizing efficiency: 99.99%, Wavelength: 380~700nm, protective film on both sides. Helping to reduce reflections and glare, the Silvestri Talos Linear Polarizer Filter filters out light that has become polarized due to reflection from a non-metallic surface. By filtering this light, a noticeable increase in the saturation of skies and foliage is possible, as well as the ability to produce clearer imagery when photographing in hazy conditions. A linear polariser differs from a circular polarizer in that it does not support the use of a camera's autofocus or auto exposure functions; it is best suited for use with manual cameras, such as view cameras, that are not dependent on internal mechanisms to determine focus or metering settings.
code PO-62100

Neutral Density Filters

ND 0.3 Neutral Density 100x100 

ND Standards reduce the exposure equally across the frame. This increases shutter speeds and blurs movement. Available in grades of .3 (1 stop), .6 (2 stops), .9 (3 stops). ND Filters can be stacked together, or used with other filters, so you can respond to almost any lighting situation.
code SC383P

ND 0.6 Neutral Density 100x100 

ND Standards reduce the exposure equally across the frame. This increases shutter speeds and blurs movement. Available in grades of .3 (1 stop), .6 (2 stops), .9 (3 stops). ND Filters can be stacked together, or used with other filters, so you can respond to almost any lighting situation.
code SC387P

ND 0.9 Neutral Density 100x100 

ND Standards reduce the exposure equally across the frame. This increases shutter speeds and blurs movement. Available in grades of .3 (1 stop), .6 (2 stops), .9 (3 stops). ND Filters can be stacked together, or used with other filters, so you can respond to almost any lighting situation.
code SC388P

Black & White Filters

Black and White filters work by absorbing different quantities of colour in the blue and blue-green parts of the spectrum, therefore effecting the tones in a black and white image. They are most commonly used to increase contrast between sky and cloud.

Description codice
3 Light YellowSC407P
8 YellowSC398P
11 Yellow-GreenSC404P
12 Dark-YellowSC420P
15 Dark-YellowSC426P
16 Yellow-OrangeSC456P
21 OrangeSC395P
23A Light-RedSC441P
25 RedSC392P
47B Deep-BlueSC432P
58 GreenSC401P
B&W Kit (8, 11, 21 & 23A)SC413P

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